Gene Shalit, longtime ‘Today’ show movie critic with bushy hair and massive mustache, dies at 100
Gene Shalit, Long-Standing Movie Critic for ‘Today’ Show, Dies at 100
Gene Shalit longtime Today show movie – Gene Shalit, a beloved figure in television and a prominent voice in film criticism, has passed away at the age of 100. His family shared the news with NBC News, stating that he “passed away peacefully today after 100 years of an amazing life.” For over four decades, Shalit was a staple of the ‘Today’ show, where his sharp insights and distinctive personal style made him a recognizable presence. Known for his signature look—puffy hair and a voluminous mustache—he brought a unique charm to his role as a movie critic.
A Career Spanning Decades
Shalit’s journey in media began with his work as an entertainment columnist for McCall’s magazine, where his writing gained traction. By 1968, he had become senior film critic for Look magazine, eventually transitioning to television in 1970. His first appearance on the ‘Today’ show was as a contributor, and he later took on the role of arts editor. By the late 1970s, he had established his iconic segment, “Critic’s Corner,” which became a highlight of the morning lineup. His departure in 2010 marked the end of an era, leaving behind a legacy that reshaped how audiences engaged with film reviews.
Shalit’s presence on the ‘Today’ show was a contrast to the typical TV personality of the time. When he first joined, the media landscape was dominated by newspapers and magazines, which were the primary platforms for movie critiques. His arrival on television changed that dynamic, bringing cinematic analysis to a broader audience. As his producer, Guy Ludwig, noted in an essay following his retirement, Shalit’s charm lay not just in his looks but in his “incredible wit” and “remarkable intelligence.” He had a way of making his critiques engaging without overwhelming viewers with technical jargon, blending humor with depth.
A Voice of Unconventional Wisdom
Shalit’s writing was as memorable as his appearance. His reviews often included clever wordplay, a trait that became synonymous with his style. For example, he famously quipped about “The Men Who Stare at Goats,” calling its oddball title “heard to bleat.” His ability to craft witty phrases while maintaining a sharp analytical edge made him stand out. One of his most quoted lines, “There’s no bones about it,” from his review of “The Lovely Bones,” encapsulated his knack for blending humor with meaningful commentary.
His approach to film criticism was both precise and personable. Shalit believed in giving viewers just enough to appreciate a movie without spoiling its essence. “Many critics will give so much of the plot of a movie away that they destroy the movie for the viewer,” he once remarked. “I just don’t give away the story.” This philosophy set him apart from peers who leaned heavily on dramatic flair or overly technical assessments. Even when he challenged popular opinions, as with his critique of “Brokeback Mountain,” he maintained a sense of camaraderie, famously adding “but not by me” to his verdict.
Shalit’s influence extended beyond the ‘Today’ show. His work helped elevate the profile of television critics, paving the way for others to carve out their niches in the industry. This shift was evident when local Chicago critics Roger Ebert and Gene Siskel’s “Sneak Previews” program moved to national television in the late 1970s. Similarly, “Good Morning America” followed suit by hiring Joel Siegel as its movie critic in 1981. Shalit’s tenure on the ‘Today’ show was a pivotal moment in the evolution of film criticism, as noted by The Plain Dealer, which described him as “Daniel Boone in a bow tie and Groucho glasses.”
On-Air Persona and Collaborations
Despite his physical presence, Shalit’s critiques were always grounded in substance. He was a middle-of-the-road critic, balancing his views with a light-hearted touch. His reviews of classic films like “Patton” and “Love Story” reflected his ability to appreciate both grand narratives and heartfelt storytelling. Even as he reviewed modern blockbusters such as “Shrek Forever After,” he retained a sense of humor, noting that the “bellow fellow is now a mellow fellow.”
Shalit’s interactions with other media personalities were a hallmark of his career. He shared the stage with anchors like Edwin Newman, Barbara Walters, and Jane Pauley, and later with Tom Brokaw, Bryant Gumbel, Katie Couric, and Meredith Vieira. His ability to connect with diverse hosts showcased his adaptability and charm. In one memorable exchange with John Belushi and Dan Aykroyd in 1981, Belushi joked that Shalit’s hair resembled “an ant farm on fire.” Yet, Shalit’s engaging questions and thoughtful discussions made the interview feel more like a conversation than a performance.
His wit was also evident in his reviews of contemporary films. When discussing “Frozen,” he remarked, “very cool,” a succinct yet impactful assessment. His take on Steven Spielberg’s adaptation of “The Color Purple” was equally fervent: “It should be against the law not to see it.” These moments underscored his passion for cinema and his belief in the power of film to move audiences.
One of the most iconic moments of his career came during a live interview with Carol Channing, where he couldn’t resist a fit of giggles at her expense. The incident, while lighthearted, highlighted his ability to inject humor into even the most serious of topics. His distinctive style was also evident in his description of a “King Kong” remake: “gargantuan that I must create new words to describe it: fabularious … a brilliantological humongousness of marvelosity.”
Shalit’s career was marked by a unique blend of professionalism and personality. His transition from print to television was a bold move that paid off, proving that a critic’s appeal could transcend mediums. Even as his appearance became a defining feature, his intellect remained the core of his work. He was known for his ability to make complex ideas accessible, all while keeping his audience entertained. His legacy lives on in the way he redefined film criticism for a television generation, blending humor, insight, and a touch of theatrical flair.
In a moment that highlighted his unorthodox approach, a car hit him during a trip to St. Pete Beach, Florida, in 1994, while he was covering Major League Baseball spring training. Though the incident was brief, it served as a reminder of the unpredictability of life, even for someone as well-known as Shalit. His passing leaves a void in the world of media, but his contributions continue to inspire. As his family noted, he lived an “amazing life,” and his words—both on and off the air—will be remembered for their wit, wisdom, and warmth.
A Lasting Impact
Shalit’s influence on the entertainment industry was undeniable. His ability to connect with audiences through a mix of humor and analysis helped make film criticism more approachable. While some, like Bryant Gumbel, found his reviews “often late and his interviews aren’t very good,” these critiques only added to his reputation as a personality who was as entertaining as he was insightful. His career spanned an incredible 40 years, during which he became a symbol of the TV critic’s role in shaping public opinion and fostering a deeper appreciation for cinema.
Though he retired from the ‘Today’ show, his legacy endures. The blend of his unconventional appearance, sharp wit, and deep knowledge of film created a unique brand that resonated with viewers. His words, often laced with puns and playful phrasing, reminded audiences that criticism could be both informative and enjoyable. As the media landscape continues to evolve, Shalit’s contributions serve as a testament to the power of a well-crafted review. He was more than a critic; he was a cultural figure who brought a sense of humor and humanity to every segment he appeared in.